Tag Archives: TL Audio

Tl Audio Do-4 Digital Output …

Tl Audio Do-4 Digital Output  ...TL Audio – Tl Audio Do-4 Digital Output Card
The TL-Audio DO-4 Card allows you to add digital output capabilities to your TL Audio 5001 Quad Valve Preamp. The DO-4 card provides fixed 24-bit output on two coaxial SPDIF connectors, a sample rate switchable between 44.1 and 48kHz, and an external BNC wordclock input.About TL Audio TL Audio began manufacturing audio products in 1990, when the company-founded by Tony Larking-was largely involved in the restoration and reselling of vintage equipment such as Neve and Trident recording consoles. The first TL Audio products were original Neve EQ modules, which were taken principally from broadcast consoles and repackaged to make them suitable for music production studios. A little later, Tony Larking joined forces with David Kempson, a leading designer at Neve for nine years. By 1993 the demand for used valve outboard equipment had become very strong but most models such as the original Pultec and Fairchild valve devices were already extremely rare and expensive. There appeared an obvious gap in the market for brand new affordable valve products and the result was TL Audio’s first valve product-the EQ-1 Dual Valve Equalizer. This product revolutionized the studio market by offering reliable, flexible, great sounding valve processing that was within the budget of most studios. The EQ-1 quickly attracted the interest of mainstream engineer/producers, with the first two production models going to Roy Thomas Baker (who had produced many of Queen and Foreigner’s early recordings) and Chris Porter (who was working with George Michael and Take That).The EQ-1 was the first of what became known as the ‘Classic’ range, and was followed by what has become possibly TL Audio’s best known product-the C-1 Dual Valve Compressor, which shot to stardom as Chris Fogel’s mixdown compressor on Alanis Morissette’s multi-million selling Jagged Little Pill album. Today, TL Audio has become one of the most respected names currently maOutput format: Coaxial SPDIF to IEC 60958-3Channels: Mono/stereo (DO-2), 4 channel (DO-4)Sample rates: 48 bit, 44.1, 48 and 96kHzWord length: 24 bitsInput impedance: greater than 50kWBandwidth: 1dB 20Hz to 20kHzNoise: -95dB (measured 110Hz to 20kHz)Jitter: Less than 5nsClock accuracy: 20ppmExternal clock lock: 25ppm
TL Audio, Remote Controllers for Recording Hardware 23-71026

Tl Audio Do-8 Digital …

Tl Audio Do-8 Digital  ...TL Audio – Tl Audio Do-8 Digital Card
The DO-8 Digital Card adds ADAT interface capabilities for easy digital connection to your recording device and software and provides 8 channels over an ADAT lightpipe and masterclock input.The DO-8 can be connected to the Fat Track Tube Production Suite, M1 8- or 12-Input Tube Mixer, or the M4 Tube Console.About TL Audio TL Audio began manufacturing audio products in 1990, when the company – founded by Tony Larking – was largely involved in the restoration and reselling of vintage equipment such as Neve and Trident recording consoles. The first TL Audio products were original Neve EQ modules, which were taken principally from broadcast consoles and repackaged to make them suitable for music production studios. A little later, Tony Larking joined forces with David Kempson, a leading designer at Neve for nine years. By 1993 the demand for used valve outboard equipment had become very strong but most models such as the original Pultec and Fairchild valve devices were already extremely rare and expensive. There appeared an obvious gap in the market for brand new affordable valve products and the result was TL Audio’s first valve product – the EQ-1 Dual Valve Equalizer. This product revolutionized the studio market by offering reliable, flexible, great sounding valve processing that was within the budget of most studios. The EQ-1 quickly attracted the interest of mainstream engineer/producers, with the first two production models going to Roy Thomas Baker (who had produced many of Queen and Foreigner’s early recordings) and Chris Porter (who was working with George Michael and Take That).The EQ-1 was the first of what became known as the ‘Classic’ range, and was followed by what has become possibly TL Audio’s best known product – the C-1 Dual Valve Compressor, which shot to stardom as Chris Fogel’s mixdown compressor on Alanis Morissette’s multi-million selling Jagged Little Pill album. Today, TL Audio8-Channel digital I/OUp to 24-bit/96 KHz(8 channels @ 48kHz, 4 channels @ 96kHz)48kHz/96kHz switchWord clock I/O
TL Audio, Audio Interfaces 23-71017

Tl Audio Do-2 S/Pdif Digital Output …

Tl Audio Do-2 S/Pdif Digital Output  ...TL Audio – Tl Audio Do-2 S/Pdif Digital Output Card
The DO-2 Digital Card by TL Audio allows you to add digital output capabilities to TL-Audio outboard gear. The DO-2 card fits 5013 Dual Valve Equalizer, 5021 Dual Valve Compressor, 5050 Mono Valve Mic Preamp and Compressor, 5051 Mono Valve Processor, and 5052 2-Channel Tube Processor, and provides fixed 24-bit output on single coaxial SPDIF connector, a sample rate switchable between 44.1 and 48kHz, and an external BNC wordclock input.In addition to the models listed above, the DO-2 Card is compatible with A1 Discrete Class A and Tube Dual preamp/DI. About TL Audio TL Audio began manufacturing audio products in 1990, when the company-founded by Tony Larking-was largely involved in the restoration and reselling of vintage equipment such as Neve and Trident recording consoles. The first TL Audio products were original Neve EQ modules, which were taken principally from broadcast consoles and repackaged to make them suitable for music production studios. A little later, Tony Larking joined forces with David Kempson, a leading designer at Neve for nine years. By 1993 the demand for used valve outboard equipment had become very strong but most models such as the original Pultec and Fairchild valve devices were already extremely rare and expensive. There appeared an obvious gap in the market for brand new affordable valve products and the result was TL Audio’s first valve product-the EQ-1 Dual Valve Equalizer. This product revolutionized the studio market by offering reliable, flexible, great sounding valve processing that was within the budget of most studios. The EQ-1 quickly attracted the interest of mainstream engineer/producers, with the first two production models going to Roy Thomas Baker (who had produced many of Queen and Foreigner’s early recordings) and Chris Porter (who was working with George Michael and Take That).The EQ-1 was the first of what became known as the ‘Classic’ range, and was followed by what ha24-bit outputCoaxial SPDIF connector 44.1/48kHz switchExternal BNC word clock input
TL Audio, Remote Controllers for Recording Hardware 23-71025